Thursday, January 12, 2012

Going the Distance: Improving the Accuracy of Your Civil War Wardrobe

Anyone who has taken a high school or college history course knows that you can’t make a valid argument in an essay without facts or “evidence” to back it up, hopefully from primary sources. For example, the strongest essays rely most heavily on primary sources, with commentary from secondary sources. Historical clothing reproduction for re-enactments is no different. Our choices in construction, fabric, accessories, and undergarments, need to—must—be grounded in the re-enactors’ version of primary sources: that is to say, sources that come directly from the period you are portraying. This includes extant ("original") garments, photographs (tin types, daguerreotypes, ferrotypes, wet plate images), contemporary ("from the period") descriptions, diaries, letters, newspaper ads and articles, books, and magazines. Paintings and fashion plates, although originating from the period you portray, should be taken with a grain of salt. Paintings are the artist’s interpretation of reality. Fashion plates are the cutting edge of fashion for the period. Using them to make generalizations is like saying all modern women wear (and can afford) the clothing worn by the stick-thin models in Vogue.

My goal is to outline a number of basic steps that can help take your Civil War re-enacting wardrobe to the next level of accuracy. It’s a disappointing fact that the majority of women at re-enactments are not wearing clothing that honestly and accurately depicts the clothing worn by women during the 1860s. While everyone is free to make personal choices regarding what they wear, I believe that re-enactors have an obligation to the public to portray the history as it truly was to the absolute best of our ability, not what we have gleaned from movies or TV. If not, we do a disservice to those who have lived before us. This extends not only to clothing but also to our behavior at re-enactments and to what we tell the public while answering questions or giving demonstrations.

My goal is not to criticize, judge, or demean anyone. Like I said, what you decide to wear is a personal choice. We all get to make the choice about how accurate we wish to be in our clothing, behavior, and information. This is not going to be a “What Not to Wear: 1860s Edition,” but I hope it will be informative and helpful.

Because the topic is expansive, I will be dividing my posts into different topics for ease of writing and reading. They will be posted on a weekly basis in the following order. I am happy to take any questions you might have, so feel free to contact me.

  1. Quick Fixes: Starting Out
  2. Silhouette/Undergarments
  3. Construction/Fabric
  4. Accessories


Lauren R said...

I'm definitely looking forward to this!

vintagevisions27 said...

It's been several years since I last attended a Civil War event. (I mainly do 18th century now) I'd like to get back to that time period but there are many things I need to improve first! I've realized too that the "close enough" or "no one will know the difference" attitude doesn't work for me any more. :) For me something is not worth doing unless I can do it right the first time around. Plus it saves a lot of time, money and headaches down the road. :) Looking forward to more of your posts!

Scott B. Lesch said...

As far as chemise, drawers, and corsets go, please check in on my blog, "I Like the Things I like" as I have found and posted numberous period sources and images of the stages of dress for these items. Some nice ladies get the order wrong in public clothing displays.


Rowenna said...

Great blog series idea--can't wait to read! Plus--with all the photographic evidence from the period, Civil War sounds like a brilliantl fun time to research! No excuses for not doing it "right" when doing it right is fun!