Saturday, November 28, 2015

We're Having an Historic Clothing Conference!!!

In what is undoubtedly the most ambitious project of my fledgling museum career, I have been organizing what I hope will be an amazing conference next June 24-26! Check out the details below. Registration opens December 1 and is limited to 72 participants! I will let everyone know when the webpage has been updated with the link to buy tickets.

http://www.historyisfun.org/learn/homeschool-scouts/historic-clothing-conference/
Come to Jamestown Settlement for a weekend focused on the study and recreation of late 16th and early 17th century clothing. “Tailored to a New World” brings together The Tudor Tailor team from England and historical clothing scholars from around the United States for a truly unique learning experience that combines hands-on workshops with traditional lectures. Participants will also enjoy field trips, behind-the-scenes tours, and an evening reception in the recreated James Fort.
Tickets are $300. Registration is limited to 72 participants and includes:
*Four hands-on workshops with The Tudor Tailor
*A special presentation by The Tudor Tailor followed by a question and answer session and the opportunity to examine recreated garments, take photos, and buy from The Tudor Tailor shop
*A private archaeological tour of clothing-related artifacts from Jamestown Rediscovery at Historic Jamestowne
*A behind-the-scenes tour of Jamestown Settlement’s costume shop, highlighting the role of historic clothing in the museum’s living history interpretive areas
*An exclusive embroidery pattern taken from a blackwork coif circa 1600 in the collections of Jamestown Settlement
*An evening reception where participants are encouraged to wear their finest historical clothing and enjoy food and period music in the recreated James Fort
*Boxed lunches and refreshments between workshops and lectures
Jamestown Settlement is pleased to welcome Brenda Rosseau (Costume Design Center, Colonial Williamsburg), Daniel Rosen (Old England Grown New), Mathew Gnagy (The Modern Maker), Noel Gieleghem, Bly Straube (Independent Archaeological Curator and Material Culture Specialist), Mark Hutter (Historic Trades, Colonial Williamsburg), Neal Hurst (Museum of the American Revolution), and Samantha McCarty (Jamestown-Yorktown Foundation) as speakers.


Saturday, November 7, 2015

Costume College 2016 or Bust!

I am very honored to announce that I have received a scholarship to Costume College and will be attending next year! And hopefully teaching, if I figure out what I should teach... (suggestions welcome!). This scholarship is SO helpful and made all the difference in my being able to attend. I'm really looking forward to seeing everyone next year!

Of course in terms of what to wear, I already have some ideas... :)

1. Felicity--at last! Maybe for the Gala, but I may also wear...
2. 1610s silk gown: we are having a big to-be-announced event at work next June, and I'd like to finally have an elite 1610s gown to wear for that
3. Jane Eyre 1840s black silk gown: to be made from the gazillion yards of $5 black silk taffeta we bought last year! In the book, Jane wears a black silk gown for her first (official) meeting with Rochester. She mentions she changes from a black stuff (wool) gown into a black silk gown for the occasion, her only other gown besides a gray silk that she feels is too nice to wear.
4. Probably something 18th century... I should finish the polonaise jacket I started in the B&T workshop! Although that seems sort of boring... :-P
5. Tightrope walker: for Friday ice cream social, although I may change my mind on this one and save it for Halloween... I'll have to see how these other projects work out!

Monday, November 2, 2015

Late 16th-Early 17th Century Waistcoat

I FINALLY was able to get pictures of the whole outfit! I'll take detail shots of the garments themselves, but I'm stuck at the Atlanta airport and thought that now was as good a time as any to write this post. :)

The waistcoat pattern is based on The Tudor Tailor, altered slightly to fit me better. It is made of white wool flannel from Renaissance Fabrics and lined with natural linen from Burnley and Trowbridge. It closes with brass hooks and eyes also from Burnley and Trowbridge.

I also made a linen partlet to wear over the petticoat and under the waistcoat, and linen cuffs for the sleeves. The coif and forehead cloth are also new, but not terribly exciting!

I had to play around a lot with the fit of the waistcoat, even painstakingly letting out the center front edges 1/4" on each side so that it would fit PERFECTLY. But I'm a little crazy like that... And very pleased with the effort. When I take detail shots at home, I'll go over my construction choices a bit.

There's also a new apron, made of a wool from Burnley and Trowbridge. It's the "dog ear" (my term) style apron, which is just a plain rectangle with ties. This is quite practical because it's easier to fold up or iron without gathers in the waistband. There are only paintings to go by, so it's hard to tell how the ties are attached. In some places it looks like the tie goes all the way across the apron, and in others it doesn't. I chose just to stitch the ties on either side of the apron, letting the "dog ears" flap free. It was the simplest choice, and the most economical in terms of tape usage.

Anyway, here are pictures! I'm wearing a pair of the American Duchess "Virginias". They are SO comfy! Go buy them!